Cognitive Neuroscientist, Dr. Heather Berlin, provided on-screen analysis for the project and was able to observe the correlation between their gaze and the method in which they composed their works. “You might expect that the artist will look quickly at the scene and take in everything that they need and then start to draw, but it’s actually the opposite” she said. Over a 10-minute period, the children spent around 42 seconds of their time studying the scene, while the trained artists spent 90 seconds.
She also observed a distinct difference in the importance each group placed on getting the scale of the objects correct, and how they responded to time pressures. In particular, the prefrontal cortex, which isn’t fully developed until the age of 25, effected the pace of each group. “Some of the work I’ve done shows that the prefrontal cortex is involved in time perception and that also played out there because when the children were told [time was running out], it didn’t really effect their behavior… whereas the adults really took that time concept into consideration”.
Eye tracking as a tool to understand creativity
“Driven by Caravaggio” is another eye tracking study conducted to better understand creative pursuits. Researchers at Scienza Nuova in Italy wanted to test the hypothesis that Michelangelo Merisi da Caravaggio, one of the most influential painters of the 17th century, understood how we perceive images and considered how the environment would affect the viewer's visual experience.